Thursday, February 26, 2009

Invitation to Exhibition, Dublin 4, March 5th 2009



Exhibition of Drawings & Paintings - Invitation, March 5th, 2009

You are cordially invited to an exhibition of paintings and
drawings at the United Arts Club, Dublin 4, at 8pm, on the
5th of March, 2009.

The exhibition is a once a year event and is the best of the best,
of life drawing in Dublin.

Artists such as PJ. Lynch, Comhghall Casey, Brian Gallagher,
Oisin Roche, Michael McWilliams and myself will be showing
3 pieces each, of our best work from the year.

It's also a very good social event with a real chance to mingle
with real artists. There is always a great sense of comaraderie
and it goes on till late. There is no pressure to buy and it's an
extremely informal and relaxing atmosphere where you can
pick up seriously good bargains from top Irish artists who are
mostly there to show off, to one another.

Thanks to Irish author, Fiona O'Brien for performing the
opening ceremony & Brian Galagher who organises the event
every year.

regards
Tom

Wednesday, January 21, 2009

America. 20-1-09

Thanks America for becoming America again.
Out of the ashes rises the phoenix.

Tuesday, January 06, 2009

Memes - a new thought for a new year.

This is a response which I wrote to a friend who is having a difficult experience with some odd people and their ideas. The persons in question are a bit nuts or out of control so the topic of memes came up and I wrote the following to put things in perspective. I hope you find it interesting.

----------------------

The world is full of unstable people. Have you heard of memes? That's a new word which is used to describe thought as a living thing. Seeing thoughts in an objective manner helps us to recognise that the 'Meme' requires us to think the thought in order to keep it alive. Certain patterns of thought are like bacteria and require our attention to remain alive.

It's function is to find a host and to get the host to propagate the idea among other hosts and therefore grow the meme and ensure it's survival among the species.

Sounds crazy doesn't it, until you wonder what it is that makes these unstable people unstable.

Fashion is a meme, so are certain word combinations such as, "have a nice day" or even religious beliefs. Hate is a powerful meme and is very common in all it's different styles and types. Facism, racism. In fact any 'ism' is a meme. Any thought that can be repeated and copied takes on an identity and wants to be reproduced so that it can survive.

So getting in control of our thoughts is quiet important. Or rather, standing back from our thoughts and not allowing them to control us.

That's the difference between a stable and unstable person. Hows that for a new concept :)

-----------------

I had a revelation about this a few years ago and told it to someone I knew whom I believed might be able to relate to it. His response was to suggest that it was a good topic for a science fiction movie and looked at me as though I was nuts. Since then I have found several books on the subject although I think that the actual word "memes" was not coined till very recently. It's great. I feel like a pioneer :)

Sunday, January 04, 2009

Happy new 2009

Happy new year everyone!

Right now, I'm recovering from the Christmas and new year celebrations. My head if throbbing and I need to work off the excess of the celebrations and cooking.

I wake up with painting ideas in my mind and have a big urge start in a new direction. There is still one painting commission to finish in my studio, so that is the priority.

I'm reading Owens book at the moment and getting my studio space reorganised.

We have decided to leave Paris in 4 years and move to the south of France. So a lot to do in the coming months & years. We have a farm there and although it requires a lot of work we are looking forward to it.

This is the entrance to the main building. It's a great little place but needing a lot of attention and repair. The farmer, who is a friend of ours, retires in a few years and wants to teach us to look after the land before we completely move in. Couldn't ask for better and I paint very very well there so am looking forward to it a very great deal.

I will have to visit the museums of Paris intensely over the next few years so that I fill up with all that culture, which is one of the few things that Paris has to offer. A recent American artist visiting here described it as a living museum, not a living city and reluctant as I am to admit it, I think that there is a lot of truth in what he says.

The south of France is living and throbbing with art, writers and sculptors.


Thursday, December 18, 2008

View with mountains and olive trees.

I've just finished an oil painting which will be a Christmas gift for my parents in law. They have a nice collection of paintings and appreciate art. The view is from their terrace looking towards an neighbors house with olive trees in the foreground.




La Provence

This morning came the news that myself and my father in law are on the cover of La Provence, newspaper. A local journalist took a photo of us at work on the houses that were flooded. That's me in the blue, covered in mud and not looking too cool. Michel is in front in red.

Wednesday, December 17, 2008

Tadelakt and Flood

I just finished a course in Tadelakt which took place in the hills around Maubec, south of France. It was an excellent course, taught by a Moroccan decorator named Jamal Daddis, author of the book, Le Tadelakt. If you are interested you can find this on Amazon.

Tadelakt is a form of lime which, when finished and polished correctly has the ambiance of marble but unlike marble is warm, impermiable to water, easily sculpted and extremely nice to look at and touch.

Great course, taught by a great teacher.

While we were studying, it began to rain and it rained hard. It didn't stop for 24 hours and many people were flooded out. All day today was spent helping people to get the waves of mud out of their houses. One local person had a pool of water around their house which was a metre and a half deep. That's about five feet. So their entire house was swamped. A few locals, the pompiers, myself and my father in law, spent the day separating their things from the mud and stones washed in by the waves of water. It looked like a complete disaster but by the end of the day we had made huge progress. Drains were unblocked and the mud cleared away. There's more to do tomorrow but it's looking good.

Here's a photo of an orchard beside the house that was flooded. Below that is a photo of the course in tadelakt.




Tuesday, December 16, 2008

Nude strike in Paris.

Hi
One of those things that have been difficult to find in Paris has been life drawing. I am restricted to only two locations, at present, where I can do this kind of drawing but had heard rumors that others exist. Despite having many french artist friends, none have not been forthcoming in advice on the topic.

Today I read that there has been a nude strike in the center of Paris to support the models who work in these mysterious places. Apparently the Marie has been organising these things all along. Who would have thought to look there?

You might find this interesting to read.

http://www.guardian.co.uk/world/2008/dec/16/france-art-life-models-protest

http://www.tjbyrne.com

Sunday, November 30, 2008

Hello
I've just created a shop online where you can purchase cards, posters and framed prints of my work. If you click on an image below, it will bring you directly to the shop.

Enjoy :)

Friday, October 24, 2008

Arts Newsletter


Hi
I've just added a news page to my site where people can follow what I'm up to. It's a bit like a blog but not a blog.
I'm going to be exhibiting in Paris next week so this gives a taste of what it will be like.
It goes out each month in the form of a newsletter so if you are interested in receiving a copy just sign up. The option is at the bottom of the page.

http://tjbyrne.com/sharing/artside.html

Best
Tom

Sunday, October 19, 2008

The New York Times-Oct 19th 2008

I was very interested to find this article in the New York Times today.

http://www.nytimes.com/2008/10/19/washington/19fbi.html?th&emc=th

Particularly this section here. I smell conspiracy pooh here. There are a lot of people suggesting that this financial crisis is a part of a bigger strategy and to be honest, it seems hard to have not seen it coming. Yes I did, along with lots of others!

"Since 2004, F.B.I. officials have warned that mortgage fraud posed a looming threat, and the bureau has repeatedly asked the Bush administration for more money to replenish the ranks of agents handling nonterrorism investigations, according to records and interviews. But each year, the requests have been denied, with no new agents approved for financial crimes, as policy makers focused on counterterrorism.

According to previously undisclosed internal F.B.I. data, the cutbacks have been particularly severe in staffing for investigations into white-collar crimes like mortgage fraud, with a loss of 625 agents, or 36 percent of its 2001 levels."

Thursday, October 16, 2008

Autumn leaves

It's amazing how the arrival of autumn brings a wonderful fairy tale quality with it. It's a bit of paradise. Everything rests under a golden blanket of leaves and the trees are a mix of green, gold and reds. It's really magical. If you get the chance to take a few minutes on the weekend try to get out into nature and just watch the leaves falling. It's very peaceful. There is a sense of things being put into perspective.

Saturday, October 11, 2008

'Grand Marché d'Art Contemporain'



Oils on canvas. 54 x 65cm

I hope that you can make it to this years 'Grand Marché d'Art Contemporain' in Bastile, Paris. I'll be exhibiting my new paintings there for the first time within the main enclosure.You should have no problem finding me in the main enclosure. The dates are 28th of October to the 2nd of November and you can't miss it. It's the biggest thing in Bastile.

Saturday, October 04, 2008

Memes

Hi
I've recently found a word, 'Memes', to apply to a phenomena that I noticed several years ago. I think that this is a key to answers on how people tick and why they do the things they do. It goes into the worlds of the quantum and out into biology and psychology. Any body out there got thoughts on the matter?

Tuesday, September 02, 2008

Fr Declan




This weekend saw a major change for Irish people living in Paris. One of the rocks of the community has moved back to Ireland and will be missed. Fr Declan Hurley, our Chaplin and confidant, who has been here for the last 4 years has returned to his home town of Navan.

I met Fr. Declan when I first arrived in Paris. He was resident in the Irish College or College des Irlandais in the 5eme. My wife and I lived there for the first 5 months of the first year here in France and we have very fine memories of the time. Fr Declan was undoubtably one of the pillars of the society and he made the community there stronger.

The Irish parishioners commissioned a going away painting for him. A reminder of his stay here and of the college itself. It's painted in oils on canvas.

Tuesday, August 26, 2008

Art and Money, August 2008

Hello
I've been learning a lot lately and chewing over the topic raised by most artists at one time or another. This is my observation and I'm sure that it's not correct in every context. I am speaking about the art of painting here but I refer to other means of creating through my writing as well. I hope you find it interesting.

The value of art.

When you talk about value you have to talk about some empirical measurement system. That's the kind of world that we have lived in for centuries now. For convenience I'll compare value to money. The value of art of course, goes beyond money and is a different thing entirely. It is of the unspoken and unspeakable things that it's value often comes from. I won't discuss the spiritual value, social or energetic value of art here. Another time perhaps.

There is a direct correlation between art and money. As money continues to appear to have little value more money is being translated into rare and valuable things such as gold, minerals and ....art.

Art as we define it, in all it's forms and the more rare forms the better, has always had a value. An intangible value. When it becomes increasingly obvious that it is to become increasingly rare, such as on the death of a particular artist, then the value of the art increases greatly.

This has been the case with other things such as rare flowers, furs and spices. At one time salt was more valuable than gold, economic systems were based on tulips, people went to war for bread. Now those things are more plentiful and have less effect on the economics of the world.

Art has been a constant. Artists have created beautiful jewelry, paintings, sculptures and great effort has always been exercised by the wealthy, well educated and intelligent to acquire art and be in the presence of it, for all sorts of reasons. Beauty not being the least of them.

So what's happening today and how does this relate to art as we know it. Well, there has never been a shortage of people calling themselves artists. Nor a shortage of art itself in some form or another. Everyone can be an artist to some degree. So what makes one art more valuable than another.

The rarity is the key thing which makes the difference.

So what is rarity? Well some art is historical. The artist is attached to great events or great people and the works that the person produces are of not just artistic value but also historical value. Historic value can also be associated with social events.

A great artist, charged with the energy of a dramatic social event records it in their art of the moment and somehow captures the sense of what has passed. They act as a marker for the event and the energy is recorded for future generations to understand better the context of what has passed. They are like a meteorite that lands from space and tells us something of the structure and potential of a distant world.

Other rarity is based on skill. Someone so skilled as to be connected to another sort of intelligence, to a level never seen before, like an Olympic athlete or someone like Albert Einstein. The artist, like the scientist, leaves a trace behind them which effects many generations to come.

Each artist can only produce so many pieces of art in their lives. Not all artists works are great. Like many of Picasso's early pieces. But he worked to refine himself, as well as his art. That requires time, intelligence, insight and determination. Most people would give up long before they reached the same point, even if they could. Some people cannot give up, it is a matter of life or death for many.

These people as well as the art they produce are rare. It requires much work, isolation and introspection. It also requires a determined desire to learn in an area where much has been written about the end product and almost nothing about the process.

Rothco wrote a fascinating book on the process which is not intelligible to everyone. None the less it is a fascinating insight into his life and inspirations. His art is often hidden away in the collections of powerful companies and families.

So art is often used as a currency among the super rich. Not just any art. They seek art from people who have reached further and have not been equaled or who have been significant historical figures such as Peter Paul Reubens.

As money increasingly looses it's value and as gold and other rare minerals become less difficult to take out of the earth, those involved in finance can see the value of the things around them shrinking. They wonder where to put their wealth. Hence the increase in the value of art during times of coming economic depression. The art may loose it's monetary value during those times, as does everything that does not provide food, heating and shelter but when things recover the value of the art also recovers and grows, whereas other items such as tulips, salt, microchips and gold may decrease as things improve.

This leads to the subject of those that monitor and control which artists can enter the art worlds hallowed halls of approval. Why should there be art dealers who say that one artist is accepted and another not? Well there is the comparison between art dealers at the highest levels and financiers.

These same people have a lot of control over whose art is traded. They control the movement of art and issue their mark of approval just as someone assesses a mineral as a piece of gold or not.

These days with the loss of the special luxury goods market, due to mass production many are turning to art as an alternative status symbol as well as investment. However we are also seeing the presence of mass produced art. in the past art has often been the result of a team of artists work, such as on a large sculpture or a tapestry. Then it is finished by the artist who is accredited with having conceived the piece but today the artist attributed with the creation of the work, may not have even conceived the idea for the piece. So even art is being undermined in it's value by the use of mass production and the use of marketing to promote a false value.

Things are changing and hopefully it will come out well. It does beg the question. What is art really. It's not just about who says it's good or not. It's merely that some people, recognising that some items called art have a rarity and are sought after are using those same items for trade and profiting in the process.

They don't necessarily have to have any love, respect or understanding of art to do this. Merely to know which pieces are regarded as valuable and what their last sales price was, how rare they are relatively, etc. There is no love of creation in that. No respect for real values or protection of the process of art or artists. They bring art down to the level of a commodity. Hence the desire of some to take advantage and mass produce designs and forms, marketing them as a commodity but calling it art.

The current way of trading art has resulted in this distance from it's real value. It's like a collector of butterflies who no longer sees the animals or appreciates that they have given up their lives in being in the collectors display.

He may merely catalog their names and species while flaunting his collection over other collectors without appreciating any longer why he became a collector in the first place.

Perhaps we can learn to appreciate living artists, the work they do and their various species without destroying the thing we love, through over intellectualizing or coldly measuring their financial value.

Monday, August 11, 2008

Alps-2008

It's been a while since I posted anything here. It's not that I've been living the quiet life. It's been very busy in fact but I haven't felt the inspiration to write anything.

I was in the Alps this summer for two weeks and apart from the influx of the tour de france cyclists and their adoring entourage it is a remarkably quiet place which is even more remarkably beautiful. Although the alps are breath taking in the winter, I find them to be even more beautiful during the summer.

While there I painted, as normal. This landscape is too beautiful to ignore. The towering mountains are awe inspiring and the sense of perspective that distance creates in that kind of landscape is a formidable challenge to capture on canvas. Fortunately my wife and her father took a couple of photos of me painting. I look at them and think, 'you need to get rid of the weight boyo'.

There's a great many wild flowers everywhere and thankfully lots of insects and wild bees pollinating them. The air is very clear here and in years to come I plan to spend several months drawing and documenting them.

While there, I worked on a commission and was lucky to have a studio where I could paint. Unfortunately I can't post any information on the painting for the moment for fear that the person whom it is intended for, might find out. The painting will be a surprise gift from the commissioner. It's taken a lot of time to just prepare the ground work for this painting and I'm glad to say that it seems to have been worth it. Despite that I still haven't done any colour on the actual canvas yet. I've been building up an underpainting with enormous attention to detail. At times it seemed to be too much of a challenge but after a visit to the Louvre where I examined other paintings done in the same manner I feel that I've made the right decision despite the enormous amount of time which it demands.

Here's a photo of me sketching the crowd at the tour de France.




Here's another of me taken by my wife who snuck up with her camera as I painted.



Sunday, July 13, 2008

The end of Print as we know it.

Hello everyone in cyberland.
Veering wildly off the track of art I'd like to indulge a little in, well, waffling. It's getting to the point that this here digital world may be beginning to have a really positive effect on the planet. That is, if we can figure out a way to have computers not fill up landfills every couple of years.

The landscape of newspaper publishing is changing fast. Many of them are closing down despite being propped up as much as possible by moguls such as Murdock. It's partly caused by the cost of petrol and transporting newspapers to their destinations. Partly the cost of paper and mostly because of the availability of alternative sources of information online.

The transition will be difficult for employees but there are other employment opportunities on the web now. The Huffington post is doing very well for instance and their writers are employed just like the ones in print newspapers.

Why is this a good thing? Paper is made from wood & hundreds of tons of trees are cut down every day to satisfy newspaper production. Although many argue that forests are maintained to satisfy the demands of publishing it's not a rational argument. Trees don't exist for printing on. They were there first.

What's going to bring about the real end to the printed newspaper is not really the content on screen. It's the content on digital paper. Yes, it exists already and is on it's way to us fast. It's not really going to change anything other than give us all a lot more choice in terms of what we read.

The new e-newspaper / e-paper is extremely energy efficient in terms of displaying information and has huge potential for school children who normally have to carry many kilos worth of books to school every day. Not to mention every other form of of print. I love books and hope it won't impact them but I can't see that not happening to some extent. A world without libraries or book shelves would be very sad. Particularly for those people who do such a marvelous job of designing them.

However it should make writing, as a profession more doable and distribution also a lot easier (saving on fuel, time and reducing pollution from trucking.

Here's a link for more information on the paper that's coming.

http://www.eink.com/technology/howitworks.html

http://www.phosphorwatches.com/phosphorwatches/einktechnology.html


http://www.youtube.com/watch?v=oq_2LiTxhls

Monday, April 07, 2008

Dream

Last night I had a dream. One of my earliest teachers (Murphy) was showing the class of 10 year olds how to meditate (not likely). While we had our eyes closed he walked over and slapped several of us across the face.

It came as quiet a shock and I felt the sting so clearly that it woke me up, sort of.

I realised I was dreaming and found myself semi-awake. In a lucid dreaming state. So I decided it was time for a little revenge. In the dream, which I was now fully conscious of, I stood up and hit him back. He went flying across the classroom, bumped his head off the wall and while he was in that stunned state, I pulled off his tweed trousers (ever so respectable) went to his desk, where he had stashed his bottle of vodka. Poured that over the trousers and set them alight. He woke up at this stage and stumbled to his feet. So I charged and hit him in the stomach with my head. He went flying out the window (first floor) into the playground below. The flaming trousers followed. Then I went back to the meditation with the other students and we all hummed in perfect harmony and contentment.

People sometimes wonder where a cheerful guy like me gets all the anger from. Well folks, a lot comes from being beaten every day in school when I was a lad. That's where my intense dislike for bullies comes from too. Although I really and truly believe in turning the other cheek and working with people, there comes a time and often it's very early in the situation, where a good retort is absolutely necessary. It comes out in my paintings more than anywhere else.

Artparis 08 / The march of the little red dots.

What a great show and so many little red dots. This years Art Fair in Paris was great. It took place in the Grand Palais, Avenue Winston Churchill and runs from the 3rd to the 7th of April. No prefabricated structures here. Just class. Pity about the coffee though, bloody Maxwell House muck.
It was a really enlivening, impressive, colourful, painterly (where did they find all those great painters) and just generally brilliant show. There was a large queue to get in but that's normal, the French love a good queue. I've seen people join them only to get to the end and realise that that didn't really want to be there, so they trail away. There's a sense of solidarity in waiting together.

So why was the ArtParis show so great? There was a lot of art on the walls rather than empty space. There was no sense of boredom in visitors. The displays had a lot of class and each was a bit different to each other, simply creative rather than competitive. There were very interesting effects type art which didn't depend on being plugged in or require a solar panel to work. Just clever. The quality, across the board was really impressive and no one seemed to be trying to foist off bad or boring work on buyers. And there were lots of buyers. I've never seen so many little red dots. Not to mention so many political paintings. Freedom of speech really isn't dead here. It was very impressive.

Here's a selection of photos and video.