Wednesday, September 08, 2010

Snobbery, my subconscious says............


Good morning, I woke up with this thought and unless I write it down, I'll toss and turn all night. So I apologise in advance for inflicting it upon you. If you think that you suffer from snobbery, this may offend your sensibilities and I request that you turn back now and read no more.


My subconscious says:

Snobbery is born of: Ignorance, ineptitude & isolation.

i.i.i

Ignorance of the people or philosophy which is disdained.

Ineptitude towards the culture.

Isolation from the culture.

In effect a snobbish person is a crippled person, incapable of making contact with others on a purely human level. It is born of isolation, often from birth, by cultural norms which make no reference to the root causes of the norms.

So their point of reference becomes narrow in certain areas. Their brains never have the opportunity to fully develop reference points for certain actions and motivations, which are normal in a human being.

Their behaviour becomes modeled by the mature cultural structures which already exist within their artificial peer group. Like a crutch.

Imagine a child which never plays with other children but who is surrounded by adults.

With no reference to the root motivations which the adult culture is based upon, the person simply follows the preexisting rules and finds it difficult to step outside of the social bounderies within which they are constrained, because they do not have the points of reference necessary, emotionally/mentally/at a primitive level.

Points of reference which the brain requires, in order to fully develope. Hence, they are crippled, unless they can acquire the mental reference points, born of experience. This may be done through imaginatively reliving an experience. Such as reimagining their childhood while in a deeply suggestive mental state, or spending a lot of time with young children of a dramatically different culture.

Tuesday, May 18, 2010

"Dignité" at l'hotel de Ville de Paris


The vernissage of "Dignité" at l'hotel de Ville de Paris. These rooms are only used on special occassions and they are incredibly beautiful.

The exhibition is well worth visiting. Take your time, read the descriptions, put them in context and put yourself in the place of the people there.

The exhibition of photos runs until the 3rd of July.



Another view of the impressive architecture & decoration.
The walls are covered in magnificent paintings.

The artist who invited me, Guillaume Herbaut. His subject was Mexico. Shocking what is happening there. He risks his life to get the stories and photos. Some of the people he has interviewed made great sacrifices to communicate with us, to anyone outside of their environment.

Lack of education is one of the biggest hurdles there.

Thursday, April 15, 2010

La Cafeotheque

You are invited to an informal exhibition of paintings of Paris and surreal paintings from the dreams of the artist, Tom J. Byrne.

The exhibition runs from the 17th of April and continues untill the 12th of May, 2010.


The venue is the best coffee shop in Paris. It's an informal atmosphere and the staff are friendly and happy to discuss the art. Occassionally Tom J. Byrne can be found there drawing the people who come to visit the exhibition and sample the coffee.

For more information on the venue, read Oliver Strand's recent piece in the NY times, here, http://tinyurl.com/yhxcpez

Monday, March 22, 2010

Art competitions

I'm running the Greenlane gallery, on the ile saint Louis, in Paris. Following some comments by artists regarding competitions I made the following response:

I've looked into the idea of promoting the gallery and finding new artists by opening up a competition where the winner (only one) gets a two week solo show.

I have to say that having looked into the process, with the intention of doing it well, that the amount of work involved is daunting. The costs are not negligible and that is on top of the normal costs of running a gallery.

In the normal course of things, running a gallery, even badly, is expensive. To run a gallery well you need a team of people, someone manning the gallery, someone looking for collectors and dealing with journalists and someone marketing the gallery online and in real life. You need to know and be on good terms with a lot of journalists, collectors and artists.

Having been an artist for over 25 years, when I took over the management I was shocked by how much work it demanded. Since then I've produced a dribble of art rather than the flow I had before. However I've learnt a great deal and it has changed my mind entirely about what it is that a gallery is and what it does.

Too many people who have gone through art school and artists in general are educated to think, that it's simply a shop where they sell art. That's an incredibly inaccurate description. If that were the case, people would just open their own shop.

In fact, I recommend that. An artists collective which runs a gallery would be a very healthy experience.

Friday, January 08, 2010

Savvy art article-NY, How to collect art

NYC magazine, Savvy, published a piece which I wrote this morning (east coast time). It's about how to colect art. Have a read of it here.

http://www.24savvy.com/articles/01-07-2010/savvy-art-buying-believe-it-or-not-youre-expert

Here's the original article I wrote:

Art is driven like the clothes business, by fashion. But art, whether it be paintings, film, photography or sculpture, outlasts fashion. Fashion is a churning beast which survives by consuming itself. It's a bad guide for art. Ignore what's popular because it won't be tomorrow. If you are buying art for investment you are always thinking with regard to the future. The best way to understand the future is to relate to the past.

The art that lasts, is the art that touches the human in us. The art that makes us reflect or vibrate. The art that can transfer it's vibration to us. It's the existence of the human in the work that vibrates with us. That vibration is of extraordinary value. The primitive. The human touch. Even Leonardos Mona Lisa is a primitive combination of earth pigments ground and mixed with mediums such as egg, oils and water.

All of that sounds pretentious. How can you relate that to the, day to day and find art of value? Well in short, buy the art that appeals to you. The art which you like, which does not require a story to prop it up. If the story is lost then the work looses it's connection to you and others, so don't let yourself be convinced by a smooth talking gallery owner. Allow yourself to see, not just with your eyes but with your heart, your lungs. Allow yourself to drink in the art.

Then apply your intellect. Start to calculate. Ask yourself about the artist. Ask about their history. It doesn't really matter if they have been to art college. Especially now, when they don't usually teach anything of substance. Your guide to the value of the work is whether the artist is driven. That's what will tell you whether they will continue to be driven. Will this artist continue to experiment. Will they make a mark. Will they inspire other artists. Are they a chapter in the history of art. Are they even a page? Are they sincere?

And if the answer to all these questions is no, yet the work appeals to you, you have still found a piece of art. Not an investment of course but art and art has a value in your life which goes beyond the surplus of coins that flow from the slot machine on the last day of your life.

Some people might remember us by that mass of coin. That slush fund they can cash in on or measure us by. None of that matters to us when we have finished living. The only thing that matters, ultimately, is the vibration of life we attune ourselves to while alive. Live like that and buy art like that and you'll find art that has value and will have value in the future.

Wednesday, January 06, 2010

Naughty or nice

Happy new year
Hope all went well over the holidays and that the dreaded grip didn't get ya.

A cold got me but I'm using it to great benefit. Time for reflection and contemplation. I'm bed bound, plus my voice has gone all husky, which has a nice effect on my wife :)

Friday, December 25, 2009

Crossroads

OH! what to do?
I find myself at a crossroads!

Saturday, December 19, 2009

Recent drawings on the metro

I've been doing a lot of metro journeys and rather than read I've been drawing. It really gives a lot of people pleasure to see me drawing on the train. I'm amazed by how friendly they get when they spot what I'm doing.

Sometimes the subject notices I'm doing their portrait but generally not. Other times people have mistakenly assumed I was drawing them, when in fact I was drawing the person beside or behind them. It's surprising how often they would like to see what I've done. Children are particularly interested.

Women are funny though. There have been a few times when I've been doing their portraits and either they have asked for my card or they have simply passed me their phone number. Hilarious when that happens because I'm not the most attractive of guys, especially by Parisian standards. None the less I take it as a compliment and always pass it to the bloke that looks like he needs it the most. I'm married :)

Here are a few of the recent sketches from November and December 09. I get about 3 minutes or perhaps a little longer to draw these so there's nothing too finished.





Friday, December 18, 2009

Snow and portraits

Hi
It's snowing in Paris. Lovely but it means a total go slow. I'm not feeling very inspired anyway. There seems to be very little feedback, whether it be good or bad from people regarding arts these days. I'm not going to try to do anything for a few weeks. I'm just ging to go with the flow and see what does or doesn't happen.

I've been enjoying drawing people on the metro. Will post a few drawings of them here later. I've also been doing more portraits in oils. That's come to an end for the moment. I won't do any more commissions till January at the earliest. In fact, I think that I'll concentrate on Gravure. I've been missing my friends in the engraving group for some time now and thanks to the fact that I'll be handing the gallery over to someone else in January I'll be free to get back to that. Running the gallery has been so incredibly time consuming. Very interesting of course and I learnt a lot but so many other things that are important took a back seat as a result. What I learnt is invaluable though. It has given me a totally new outlook on art and the art world.

Here are some of the portraits I've done this week. Neither is finished and both were executed very quickly. I'll finish them off later. Oddly enough I've found that instead of speeding up through doing the portrait sessions, in fact I've slowed down. Great way to get to know people though.



Monday, December 14, 2009

Portraits for free - 2

It's been a week since I posted the notice about portraits for free and so far I've done several. There are 3 more planned for this week. After this I'll start looking for a location in Paris where I can work in natural daylight so a nice atelier in a good location would be good.

Here are a few of the paintings so far. 3 hours each which is pretty fast but there's no underpainting or drawing. I just go straight in with the paint.




Monday, December 07, 2009

Portraits for free.

I'm painting portraits for free in the gallery at the moment. If you are interested in coming along send me a message, phone or email. There are only a few days left this week. Most of next week is free. I'll give you the details when you get in contact.

December Exhibition in Paris

The opening night went well. I'm still a bit knackered by it all.
Here are a few pics from last friday. Thanks to Jean-Michel Volat for the marvelous photos.





Thursday, November 26, 2009

Standing in the rain.

Burrrr!!! It's winter. I was out in the forest painting yesterday. It was a little overcast but nothing serious. About an hour into painting it started to drizzle. Nothing very heavy. I ran to the house and grabed an umbrella & large sheet of plastic. The plastic was for the easel and the painting. The umbrella kept me dry while I sheltered behind a tree. An hour later, I concluded, it was time to give up pack everything away and get back to the house till it stopped.

However, the time spent waiting for the rain to stop, standing under the tree with an umbrella in the rain, was marvelous. I had a chance to just experience nature. No mobile phone, no people passing, no cars. Just the drizzle, the trees and me. I almost never stop to just experience things. There is so much to do. Even when I'm painting I've often got that little voice in my head judging the work and trying to understand what it is I'm doing so that I can build upon the experience. This was nothing like that. Just calm. Very quiet and respectful. Nothing boring about it. I really enjoyed, just looking at nature, wet and all as it was.

Wednesday, November 25, 2009

Damian Hirst - Francis Bacon? I don't think so.

Damian Hirst must think that Francis Bacon was a pretty bad painter. He and his PR company are always drawing parallels between Bacon and Hirst. It's constant.

He's throwing tons of money at this new identity of his. So what if the critics dish the work he does. He'll just build more PR and pay for more articles in magazines, do more deals with museums and art galleries. Eventually the critics will bend and their opinion of his work will go from 'it's a terrible mistake' to 'the best thing ever'.

Because once Hirst has brain washed the public, the journalists will, quivering as ever in the face of public opinion and received fact, capitulate and kiss the ground he walks upon. Or should I say water, he walks upon.

The only hope for his demise is if he himself balks at the amount of work & money involved in changing the opinion of the masses. If he finds that actually doing his own painting is too much of an emotional drain. I can easily see him falling back on his minions to create the paintings while he parties. If he hasn't already.

At least he claims he's promoting painting that is supposed to be self created rather than directed.

Tuesday, November 24, 2009

Inside the brain of an artist

Have a look inside the head of another artist, literally!
Irish actor, Fiona Shaw allowed her brain to be scanned while reading T.S Elliots 'The Wasteland'. The results are remarkable.

http://www.guardian.co.uk/science/video/2009/nov/24/fiona-shaw-brain-scan

Banksy's wall in Jamaica

I hope this doesn't happen to all Banksys work.

Sunday, November 22, 2009

Reasons to be cheerful

Today I went to collect the frames for my December exhibition. The framer did a marvelous job and very fast too. They look great.

After that I went to an exhibition in Baillencourt sur Essonne. It's not a high quality exhibiton, just a local thing but lots of good artists come from all over france to be in it. Certainly it has some good quality work on show.

I got an invitation to a very cool exhibition in Paris on the Champs Elysses next week. Looking forward to that.

Sent off promotional material for the next exhibition in December.

Invited some other artists to show their work in Ireland with a gallery that I work with.

And now I can't sleep because I'm thinking about the show, in two weeks, so, I'm going to do the most creative ironing I can, at 3am :)

Monday, November 16, 2009

Plein air painting

Thank goodness for the great outdoors. I was painting with some other artists in Fountainbleau on Sunday. This is when I'm happiest. Out in nature with other artists. It's really, really great. I wish I could do this every day.

Here are a couple of photos. The painting is in acrylic.



Tuesday, October 27, 2009

FIAC 09

Some photos from FIAC 09

It was an interesting exhibition. I didn't get to see it for long (very expensive to visit) because I had to return to the gallery before 2pm and the FIAC show opens at 1pm. The que started an hour before.

Ahhh!! the French love a good que. See those smiling faces. I think Parissians are happiest while having a good group que :)





Wednesday, October 21, 2009

Killing Pelicans............


You think you're responsible. That you live a decent life, which impacts others to a minimum and that you care about nature!

Which piece of plastic, that you discarded, is in these photos?

Which gas lighter?
Which bottle top?
Which item, that you discarded, got kicked by a shoe, got blown by the wind, ended in a gutter, was washed to the sea, is on it's way to the Pacific, to kill a chick, whose parents don't know the difference.

Look, learn, deactivate an action.
http://www.chrisjordan.com/current_set2.php?id=11

Make the world a better place.