It's been a very nice summer here. Not as much sunshine as many would like but that just means that there's been less need to water the grass as far as I'm concerned. I like the rain.
It's very quiet at this time of year. Paris empties completely. I can go for walks and draw in the local forest with no chance of being disturbed. If people stuck around they'd realise how nice it is here without the crowds but then there would be crowds so I'd rather they didn't.
So what's up? Well I've had my head down painting and drawing. I'm working with a film crew in Paris to produce a music video.
The prepartations for the chateau artists retreat in Borgogne are well in hand but there's still plenty to organise there.
There are several exhibitions:
One in September in NY at the The Emily Harvey Foundation Gallery on Broadway. The exhibition is called "A Book about Death" and it is an homage to Ray Johnson, a celebration of Emily Harvey and a global exploration of Death. There are several hundred artists taking part. It opens on the 10th of September and Matthew Rose is the currator.
Another in October in Dublin. This is a solo show, curated by Tony Strickland. I don't have a lot of details on this yet as a location hasn't been officially pinned down but I'm sure it will be excellent. Lot's of new work in process for this.
In November I'm exhibiting in the StylePixie gallery. For the life of me, I don't understand why I'm so excited by this one, but I am. Really looking forward to it. The stylepixie gallery is great. A lovely off the beaten track, undergroundish and genuinely artistic, incredibly friendly gallery.
In December I have a great exhibition for two weeks in the Greenland Gallery on the Ile Saint Louis. Sur la rue des deux ponts. It's a great gallery and I will be sharing the space with the incredibly tallented Joby Hickey. Joby is a photographer. He specialises in pinhole photography and the results are quiet magical.
I've been getting down to more drawing while experimenting with metal and corrosives. The results are interesting and compelling.
Compelling me to do more, experiment more and develope this unique approach. I love it because it's a development of the sides of painting that usually gets lost in the process. The drawing and the chemistry. The drawing is dramatic, big and surprising and you can say the same for the chemistry, which of course exists in all painting processes but you can rarely see it so clearly at work.
The other thing I've been focused on is the production of smaller works. It started as a project for an upcoming exhibition. One of the constraints was size but it surprised me that I got a great deal of satisfaction from this limitation. It allows me to produce more intimate pieces.
So although this blog has been quiet, it's for a good reason. More soon. I'll post examples of the things that are happening and of the week in Borgogne as it developes.