Showing posts with label drawings. Show all posts
Showing posts with label drawings. Show all posts

Sunday, November 13, 2011

Paris Galleries-Mariska Hammoudi




Paris Gallery interviews:

Mariska Hammoudi is the owner of a gallery in the 16eme arrondissement of Paris. It's a very unusual gallery but like most is run by a person passionate about the arts. Ms Hammoudi is a graduate of the Beaux Arts. Her facination is with the history of arts and her passion is to promote and develop her gallery and diffuse an awareness of her artists among the world of collectors. She only exhibits figurative art and has a facination for the renaissance though she appreciates many other forms of representational style.

In france, art collectors are referred to as Les Amateurs d'art. The term comes from a french magazine of the same name and although the magazine ceased after the death of Michel Boutin, the director in the early 1990's, the term is still used today for those who search for and collect the work of artists in France. So don't be confused if you hear the expression being used to describe you.

So what makes this gallery different to others? It's quiet simply the very personal nature of it. You won't find this gallery behind a shop window or see signs directing you to it. You have to know of it. To have been introduced or invited to attend. Her gallery is in her apartment and effectively all of the space within, has been dedicated to the exhibition of works of art. This is a sacrifice in a city where space is at a premium but as Ms Hamoudi says, the art on the walls is the art which she chooses to live with.


The process of choosing an artist is also very personal. To exhibit in her space a fusion between the gallerist and the artist must take place. Together they dicuss each others lives and interests and slowly come to a conclusion resulting in a theme for the exhibiton. It is a mutual conclusion and in the case of the current exhibition which is by Yoomi Ha, a Korean artist and the first non french and autodidact artist to have exhibited here, the theme is secrets.


When you look around the room you wonder how these images could refer to secrets in the life of this young gallerist but she assures me that there are elements in each piece which profoundly remind her of events in her life and the world around her. When discussing the subject she mentioned that to French people and Europeans in general, secrets are something worth learning and even hunting for but most especially they are worth keeping.

What is the future for this gallery? Her intention is to enlarge it but to never have a gallery which has a shop window or which doesn't look like a persons home. Her reasons are simple and I agree with them. Typcially a gallery is an artificial impersonal, sterile space, often with high ceilings and very strong lighting. They can alienate visitors who often cannot imagine the works on display, ever fitting into their home. Here though you can see how, even a large painting (and there are sev eral among her private collection) can easily become a part of the living experience of a typical home, even on the scale of an average Paris apartment.

So how does an Amateur des Arts visit this space if it does not have a typical shop window? To visit a vernissage requires an invitation or to go with someone who has one. Alternately you may visit at any other time by making an appointment. She is happy to show interested people around the space and discuss the works on show. The current exhibition ends 16 décembre 2011.

To visit the gallery website: http://www.galeriemariskahammoudi.com/ and to arrange an appointment simply email contact@galeriemariskahammoudi.com

Saturday, August 20, 2011

Some recent drawings

These drawings were done in the last couple of weeks. I'll be posting more later. They are on cartridge paper, 180g, using pencil or compressed charcoal. All were done in Paris, in the apartment at 9 rue du Prevot, 75003.

Thanks to the models. They have been great and to the other people who attended the model vivant sessions because they make the ambiance of creation.




Saturday, August 13, 2011

Paris model vivant



Tomorrow evening (Sunday 14th of August) there is a session of life drawing in Paris 4éme with one of the cities best male life drawing models.

Bertrand will pose from 5pm-8pm. There's a good group already booked but we have room for a couple of others.

This Sunday the times are different to accomodate the model who is coming directly from his holidays to model for us. It means that Sunday is not a broken day for most of us and gives more time earlier in the day.
   
We can take 15 people comfortably. The apartment is a very comfortable and elegant space but there are limited seating arangements so if you have a folding chair, please bring it.
Please, RSVP 'only' if you are certain to attend.  

email: tj@tjbyrne.com

The door code will be provided,  
after you RSVP.
 
When: 3rd session - 
14th August 5-8pm.
 
Where:
9 Rue du Prevot, 75004 Paris. 
The apartment is on the second floor, at the corner of Rue St Antoine, right opposite the exit for metro St. Paul. Press the bell marked 'Runciman'. 
  
Come early, to be sure to be on time. Please RSVP.
 
Bring your own drawing materials and if you have one - a folding seat. Watercolours are fine but be prepared to leave things neatly after you. No spray fixative inside the apartment, thank you.
 
Cost: Shared cost of the model (60 for 3 hours divided by the number of artists) plus EU10 donation for the facilities.
 
The maximum cost will be EU15 per person. 
 
Looking forward to seeing you there.
 
Tom

Sunday, August 07, 2011

Back to life drawing



There is life drawing in a Paris apartment for the next month. Today was the first session and there will be two per week from the second week of August. Our thanks go to our hostess who so kindly invited us to draw in her home.

The location is right beside Saint Paul, so easy to get to and the light is very good, with large floor to ceiling windows.
Our model, as ever, was excellent and everyone worked to their own particular standard and level of interest. It ended in a very good ambiance. Everyone who booked for the session turned up, so thanks very much to everyone for that.

I can't resist posting a photo of some of them at work. It's a low res picture, so only the artists will recognise themselves.

Some sketches from today.

Saturday, August 06, 2011

Teaching street sketching

Yesterday was the second day that I've taught street sketching and it was great. In the morning, the weather was extremely dramatic, so we were very lucky to have clear skies and brilliant views for the afternoon.

I taught a range of things, from perspective drawing to tonal perspective to blind drawing. They were just introductions of course but everyone got the basics and their drawing method changed. I was amazed by the leap forward that most of them made. Even more amazed that they didn't always recognise the progress themselves :)


Here's a building we drew where everyone is looking for perspective but in a very different way to the method of using vanishing points etc.


Basic explanation of perspective drawing. Horizon line and vanishing point. The simplicity of this seemed to amaze everyone and everyone got it. One person did a cats eye view of the scene. Their perspective was very different to everyone elses but just as accurate.


Perspective created by tonal values rather than line.


Perspective in a cafe. Exactly the same thing happens here as in the other drawings. The horizon line and vanishing point are just guides and there is nothing technical in the process of the drawing.


After the class, I unwound in le Baron Rouge, sketching the people there.

Wednesday, August 03, 2011

Alps 2011

Yesterday, we returned from a week in the Alps. They are known for snow and sking and very few people go there in the spring and summer. So it's very peaceful.

It's active with hikers walking up mountains and cyclists emulating the heros of the tour de France. So most are very peaceful sorts seeking the solitude and fresh air of the countryside

It's a very spectacular place with amazing things to see and do. The people are especially friendly. It's an ideal for artists, with amazing views, powerful energies, tall peaks, rivers and grazing land full of goats and cattle. The architecture is very fine too. I would have liked to spend more time drawing and painting. It would be worth it. Next time.

Here are some drawings from the trip.



Some rocks in the river which runs through Allemonte.


A view from the river to the opposite bank.


A study of water around a rock.



A sketch of my wife.


A study of some flower petals.

Saturday, July 09, 2011

Proménade Plante




Yesterday I was teaching techniques of drawing & perspective to artists on the Proménade Plante in Paris. It was a great day and thoroughly enjoyable. Thanks to those that attended the sessions.

Monday, July 04, 2011

Picnic weekend





Here are a few sketches from the walk, along the Marne, last Saturday. We had a pretty nice day. Enjoyed a great picnic, talked a lot, walked a lot and saw a lot of new things.

Thanks to everyone who came. I didn't have my camera with me unfortunately.

We did more walking than drawing but it was really good. Nice picnic and great company. Most of our drawing was done along the Marne, near the chocolate factory.

There is another sketch from Sunday (the top one) at the Parc des Buttes. It was another picnic but this one was a birthday celebration.

Wednesday, June 01, 2011

Water from a vase - March 31



Last evening I was invited to a private drawing session with a small group of french artists in Paris. That's really nice. It's rare to get an invite like that.

This is the last drawing I produced from the 2 hour session. So what's so special about this? The drawing was done in 20 minutes and the models, particularly Bertrand, had to hold the same very challenging position for that period, without moving. Bravo the models!

The other thing, is the line quality. I've always felt that there is no real limit to the amount we can do and see in a short period of time but everyone seems to work from the basis of low expectations. There was an artist there encouraging everyone, making comments on work etc. He wasn't a teacher. He was saying that the arm knows what to draw and just to move the entire thing and the drawing will just come out. I agree with that, though I don't think it's easy to comprehend with the logical mind and it requires a certain amount of surrender to achieve.

The mind comprehends a great deal very quickly and it's only when we really try to analyse too much that it slows down. It's perfectly capable of communicating from eye to hand without any need for understanding, experience with perspective, internal narrative etc. In fact the stiller the mind the better the process. It pours out of the hand like water from a vase.

Some of my earliest drawings, from the age of 11, were like this. They shocked me at the time and I tried and tried to be like that all the time but it took me years of hard work and learning to realise that all the knowledge and experience, might just, be getting in the way.

Saturday, December 19, 2009

Recent drawings on the metro

I've been doing a lot of metro journeys and rather than read I've been drawing. It really gives a lot of people pleasure to see me drawing on the train. I'm amazed by how friendly they get when they spot what I'm doing.

Sometimes the subject notices I'm doing their portrait but generally not. Other times people have mistakenly assumed I was drawing them, when in fact I was drawing the person beside or behind them. It's surprising how often they would like to see what I've done. Children are particularly interested.

Women are funny though. There have been a few times when I've been doing their portraits and either they have asked for my card or they have simply passed me their phone number. Hilarious when that happens because I'm not the most attractive of guys, especially by Parisian standards. None the less I take it as a compliment and always pass it to the bloke that looks like he needs it the most. I'm married :)

Here are a few of the recent sketches from November and December 09. I get about 3 minutes or perhaps a little longer to draw these so there's nothing too finished.





Monday, December 07, 2009

Portraits for free.

I'm painting portraits for free in the gallery at the moment. If you are interested in coming along send me a message, phone or email. There are only a few days left this week. Most of next week is free. I'll give you the details when you get in contact.

Monday, November 16, 2009

Plein air painting

Thank goodness for the great outdoors. I was painting with some other artists in Fountainbleau on Sunday. This is when I'm happiest. Out in nature with other artists. It's really, really great. I wish I could do this every day.

Here are a couple of photos. The painting is in acrylic.



Monday, October 19, 2009

Plein air, sketching, exhibition





Hey, been doing lots of things on the qt. Yesterday, thanks to an artist friend who looked after the gallery, I was able to go out and join some others at Fontainbleau for Pleine Air Painting. It was really a great day. Well worth taking the time out for. I'm a little ill with a cold as a result because it was freezing but I'm still very glad I went.

Here are a couple of photos.

I've also been doing a lot of sketching on the metro in Paris. The portraits above are of people I've seen on the train recently. It's a nice way to spend a voyage. I might take a day out just to do that, particularly on longer journeys, perhaps to CDG airport etc.

There's an exhibition coming up. Yes, my own work at last, rather than other peoples. It's in Style Pixie gallery. A great, off the beaten track gallery which I really like. It has an underground feel to it. The curator is great and the directress is very inspiring.

Tuesday, August 18, 2009

Borgogne, NY, Dublin, Paris, exhibitions and events

It's been a very nice summer here. Not as much sunshine as many would like but that just means that there's been less need to water the grass as far as I'm concerned. I like the rain.

It's very quiet at this time of year. Paris empties completely. I can go for walks and draw in the local forest with no chance of being disturbed. If people stuck around they'd realise how nice it is here without the crowds but then there would be crowds so I'd rather they didn't.

So what's up? Well I've had my head down painting and drawing. I'm working with a film crew in Paris to produce a music video.

The prepartations for the chateau artists retreat in Borgogne are well in hand but there's still plenty to organise there.

There are several exhibitions:
One in September in NY at the The Emily Harvey Foundation Gallery on Broadway. The exhibition is called "A Book about Death" and it is an homage to Ray Johnson, a celebration of Emily Harvey and a global exploration of Death. There are several hundred artists taking part. It opens on the 10th of September and Matthew Rose is the currator.

Another in October in Dublin. This is a solo show, curated by Tony Strickland. I don't have a lot of details on this yet as a location hasn't been officially pinned down but I'm sure it will be excellent. Lot's of new work in process for this.

In November I'm exhibiting in the StylePixie gallery. For the life of me, I don't understand why I'm so excited by this one, but I am. Really looking forward to it. The stylepixie gallery is great. A lovely off the beaten track, undergroundish and genuinely artistic, incredibly friendly gallery.

In December I have a great exhibition for two weeks in the Greenland Gallery on the Ile Saint Louis. Sur la rue des deux ponts. It's a great gallery and I will be sharing the space with the incredibly tallented Joby Hickey. Joby is a photographer. He specialises in pinhole photography and the results are quiet magical.

I've been getting down to more drawing while experimenting with metal and corrosives. The results are interesting and compelling.

Compelling me to do more, experiment more and develope this unique approach. I love it because it's a development of the sides of painting that usually gets lost in the process. The drawing and the chemistry. The drawing is dramatic, big and surprising and you can say the same for the chemistry, which of course exists in all painting processes but you can rarely see it so clearly at work.

The other thing I've been focused on is the production of smaller works. It started as a project for an upcoming exhibition. One of the constraints was size but it surprised me that I got a great deal of satisfaction from this limitation. It allows me to produce more intimate pieces.

So although this blog has been quiet, it's for a good reason. More soon. I'll post examples of the things that are happening and of the week in Borgogne as it developes.

Saturday, June 06, 2009

World Drawing day.


Today is world drawing day. It's a big deal. I love drawing so here's my contribution, posted to Youtube. You'll find more information here http://www.drawingday.org/index.php
Participate, it's great.


Thursday, May 14, 2009

Blogging about a blog

A really nice review of my work was written today by the artist and journalist Matthew Rose.
Here's what he had to say.

http://lalandedigitalpress.blogspot.com

Tuesday, May 05, 2009

Busy days

Busy days.
I did a marathon of painting this weekend. Saturday and Sunday with Parisian artists painting the nude. Saturday was great. I spent it with Jean Louis Morele. We were painting in his atelier and discussing different mediums. He's a magnificent oil painting artist but also very passionate about watercolours. We meet again next Saturday. It should be good. A couple of other artists will be there for a session of work lasting about five hours. It's more economical to hire an artist together and share the work space. We also enjoy one anothers company. Great discussions take place during the breaks. This is an acrylic which I did on Saturday.


Sunday was with Agnieszka Pado, drawing for five hours. These are tough intense sessions. The models are very brave.

We had an artist friend from England staying with us too. Irma Irsara arrived on Tuesday last week, till Sunday. She was exhibiting in the Bastile, Grand Marche de la Art Contemporain. She did very well, attracting the attention of a lot of galleries, artists and collectors. Sold quiet a lot of work too. So shes definitatly going to be staying with us again next year.

This is one of the paintings which will be at the Irish Embassy exhibition on the 16th of May. This particular painting took almost a month to complete. It's extremely symbolic with lots of layers of meaning. It's title is Trinity Chalice.

Thursday, April 02, 2009

Marcus Mcallister Expo etc

Hi
It's been a while since I posted (apart from a couple of minutes ago). That doesn't mean I've been quiet. The opposite applies. I've been drawing intensely, painting, teaching, and getting my work out there.

I also got to go to a couple of exhibition openings. One was Marcus McAllisters show in Paris. Not his first by any means but this is the first time we have crossed paths. His show was in the Style Pixie gallery and it was full to bursting with a really wide range of people from all communities. His work is a real mix of media but the images are very creative, inspired by his note books, one of which he keeps with him at all times so that when inspiration strikes he can make a note or drawing. Some of the pages are so detailed and interesting that they became framed pieces in themselves.

You should check him out. http://www.marcusmcallister.com

Here are some photos from the evening. All taken with my cell phone so the quality is far from great.

Sunday, March 08, 2009

Exhibition update - Dublin March 2009


Hi
The exhibition went really well. There was a huge crowd even before it started with more arriving as the evening went on. As for atmosphere, it was great. There was a great crowd of interested buyers and a few artists that I hadn't seen for a while.

The exhibition continues until the 28th of March and I highly recommend visiting. The exhibition area itself if on the first floor and is open to the public from 5pm.

Liam has a very good Irish Arts Event blog. He manages to get himself invited to everything and graciously records them all.

His blog is:
http://irishartblog.com/

Here's a pic of myself, Liam Madden & Brian Gallagher.

Tuesday, August 26, 2008

Art and Money, August 2008

Hello
I've been learning a lot lately and chewing over the topic raised by most artists at one time or another. This is my observation and I'm sure that it's not correct in every context. I am speaking about the art of painting here but I refer to other means of creating through my writing as well. I hope you find it interesting.

The value of art.

When you talk about value you have to talk about some empirical measurement system. That's the kind of world that we have lived in for centuries now. For convenience I'll compare value to money. The value of art of course, goes beyond money and is a different thing entirely. It is of the unspoken and unspeakable things that it's value often comes from. I won't discuss the spiritual value, social or energetic value of art here. Another time perhaps.

There is a direct correlation between art and money. As money continues to appear to have little value more money is being translated into rare and valuable things such as gold, minerals and ....art.

Art as we define it, in all it's forms and the more rare forms the better, has always had a value. An intangible value. When it becomes increasingly obvious that it is to become increasingly rare, such as on the death of a particular artist, then the value of the art increases greatly.

This has been the case with other things such as rare flowers, furs and spices. At one time salt was more valuable than gold, economic systems were based on tulips, people went to war for bread. Now those things are more plentiful and have less effect on the economics of the world.

Art has been a constant. Artists have created beautiful jewelry, paintings, sculptures and great effort has always been exercised by the wealthy, well educated and intelligent to acquire art and be in the presence of it, for all sorts of reasons. Beauty not being the least of them.

So what's happening today and how does this relate to art as we know it. Well, there has never been a shortage of people calling themselves artists. Nor a shortage of art itself in some form or another. Everyone can be an artist to some degree. So what makes one art more valuable than another.

The rarity is the key thing which makes the difference.

So what is rarity? Well some art is historical. The artist is attached to great events or great people and the works that the person produces are of not just artistic value but also historical value. Historic value can also be associated with social events.

A great artist, charged with the energy of a dramatic social event records it in their art of the moment and somehow captures the sense of what has passed. They act as a marker for the event and the energy is recorded for future generations to understand better the context of what has passed. They are like a meteorite that lands from space and tells us something of the structure and potential of a distant world.

Other rarity is based on skill. Someone so skilled as to be connected to another sort of intelligence, to a level never seen before, like an Olympic athlete or someone like Albert Einstein. The artist, like the scientist, leaves a trace behind them which effects many generations to come.

Each artist can only produce so many pieces of art in their lives. Not all artists works are great. Like many of Picasso's early pieces. But he worked to refine himself, as well as his art. That requires time, intelligence, insight and determination. Most people would give up long before they reached the same point, even if they could. Some people cannot give up, it is a matter of life or death for many.

These people as well as the art they produce are rare. It requires much work, isolation and introspection. It also requires a determined desire to learn in an area where much has been written about the end product and almost nothing about the process.

Rothco wrote a fascinating book on the process which is not intelligible to everyone. None the less it is a fascinating insight into his life and inspirations. His art is often hidden away in the collections of powerful companies and families.

So art is often used as a currency among the super rich. Not just any art. They seek art from people who have reached further and have not been equaled or who have been significant historical figures such as Peter Paul Reubens.

As money increasingly looses it's value and as gold and other rare minerals become less difficult to take out of the earth, those involved in finance can see the value of the things around them shrinking. They wonder where to put their wealth. Hence the increase in the value of art during times of coming economic depression. The art may loose it's monetary value during those times, as does everything that does not provide food, heating and shelter but when things recover the value of the art also recovers and grows, whereas other items such as tulips, salt, microchips and gold may decrease as things improve.

This leads to the subject of those that monitor and control which artists can enter the art worlds hallowed halls of approval. Why should there be art dealers who say that one artist is accepted and another not? Well there is the comparison between art dealers at the highest levels and financiers.

These same people have a lot of control over whose art is traded. They control the movement of art and issue their mark of approval just as someone assesses a mineral as a piece of gold or not.

These days with the loss of the special luxury goods market, due to mass production many are turning to art as an alternative status symbol as well as investment. However we are also seeing the presence of mass produced art. in the past art has often been the result of a team of artists work, such as on a large sculpture or a tapestry. Then it is finished by the artist who is accredited with having conceived the piece but today the artist attributed with the creation of the work, may not have even conceived the idea for the piece. So even art is being undermined in it's value by the use of mass production and the use of marketing to promote a false value.

Things are changing and hopefully it will come out well. It does beg the question. What is art really. It's not just about who says it's good or not. It's merely that some people, recognising that some items called art have a rarity and are sought after are using those same items for trade and profiting in the process.

They don't necessarily have to have any love, respect or understanding of art to do this. Merely to know which pieces are regarded as valuable and what their last sales price was, how rare they are relatively, etc. There is no love of creation in that. No respect for real values or protection of the process of art or artists. They bring art down to the level of a commodity. Hence the desire of some to take advantage and mass produce designs and forms, marketing them as a commodity but calling it art.

The current way of trading art has resulted in this distance from it's real value. It's like a collector of butterflies who no longer sees the animals or appreciates that they have given up their lives in being in the collectors display.

He may merely catalog their names and species while flaunting his collection over other collectors without appreciating any longer why he became a collector in the first place.

Perhaps we can learn to appreciate living artists, the work they do and their various species without destroying the thing we love, through over intellectualizing or coldly measuring their financial value.