Showing posts with label egg tempera. Show all posts
Showing posts with label egg tempera. Show all posts

Monday, February 04, 2008

Portrait in tempera


To zoom in on the details in this painting click here.


Here's a photo of a painting that I did in two sessions last week. The first layer is a tempera and the second is oil. One over the other. The basic ingredients of the tempera and the oil are the same. Except that the tempera has the egg added. You do it all yourself, from dissolving the resin, mixing the ground pigment to thickening the oil in the sun for a few weeks. It's that process of being in touch with the materials that makes the painting very personal.

The model was very pleased with the painting too and took a photo of me at work. He's asked me not to post a photo of him beside it but I'm sorely tempted. Anyway here is the painting. It's not finished. There is more to do on it but I want the current paint to dry first, in a couple of weeks.

Tuesday, November 27, 2007

Icons




Yesterday, after setting up in the atelier in Bastile, I visited two exhibitions that I had been curious about. One was in Nation. An exhibition by an Icon Painter who studied in Greece. The exhibition took place in a small gallery on the second floor of the Centre Culturel Franco-Japonais, 8 Passage Turqueti, 75011 Paris. Metro -Nation. The artist is Dominique Groffe.

The artist has reproduced paintings of icons on wood using gold and tempera (egg). I'm interested in this because it's a subject that I'm studying at the moment. By doing the course you learn an enormous amount about the history of painting (as far back as the Egyptians) and you discover some of the most unlikely mediums with which you can paint and which last for thousands of years.

Although I like the artists ability to recreate the icons of past artists, I didn't see anything new being explored in the work. Creating an icon where the subject is religious is like a prayer for many people. A meditation and study of past works and as such gives a great deal of personal pleasure. The original images are full of hidden meanings as well and were not merely decorations. So that is also a study of history in itself.

It's fantastic to see this kind of work still being done. Otherwise it just disappears forever.